Quotes
“This ‘Dan Brown style’ thriller is delivered with a decided wink…The audio shines…Narrator Bronson Pinchot revels in the novel’s absurdist mix. In one memorable scene, his characters deliver esoteric exposition against the increasingly disruptive backdrop of other characters who are engaged in less academic activities.” AudioFile
“At once a buddy-cop plot, a fish-out-of-water comedy, and a spy thriller…[with] amusing, sometimes scabrous, satirical portraiture of illustrious figures…Knowing, antic, amusingly disrespectful, and increasingly zany as it goes on.” New York Times
“The most outrageously entertaining novel of the year, a defamatory fantasy about the supposed secret lives of eminent post-structuralists. A joy.” Guardian (London)
“An intellectual thriller that will be catnip to serious readers…There’s so much fun to be had in The Seventh Function of Language, compellingly brought into English by Sam Taylor. Foucault, and Sollers, in particular, come across as wildly comic figures.” Washington Post
“An affectionate send-up of an Umberto Eco–style intellectual thriller that doubles as an exemplar of the genre, filled with suspense, elaborate conspiracies, and exotic locales.” Esquire
“A rollicking crime caper…It had me rolling on the floor of the Paris Metro when I read it.” Observer (London)
“A charming roman à clef like no other…A brilliant illustration of the possibilities left to the modern novel.” Publishers Weekly (starred review)
“It gets bloody, it gets erotic, and the depiction of some real-life characters is spicily shocking. Sensational fun for the intellectually astute.” Library Journal (starred review)
“Binet doesn’t just use the history of semiotics to gild a predictable thriller with intellectual pretension. He instead draws out the sometimes conspiratorial implications of using literary techniques to interpret everyday life. What if everything really does mean something?” BuzzFeed
“At once a mystery and a satire of mysteries…A clever and surprisingly action-packed attempt to merge abstruse theory and crime drama.” Kirkus Reviews