Quotes
“A gleeful middle finger to the expectations of trans memoir… complex, multi-layered, enchanting.”—them
"With a singular sense of wryness and ribaldry, Lavery charts the course of her gender transition."—Tomi Obaro, Buzzfeed
“A smart and funny memoir spanning addiction and gender transition, queer theory and standup comedy.”—The Guardian, Most Anticipated Books of 2022
"Lavery's wild, genre-busting tale of gender transition, addiction and multiple varieties of chaos is both riotously intelligent and dazzlingly hilarious."—Evening Standard (London)
“Grace Lavery’s unabashed and tantalizing book queers the memoir genre in multiple senses, taking readers on a wild ride through the author’s multitudinous identities.”—Electric Lit, Most Anticipated Books of 2022
“In this genre-busting work of memoir (or auto-fiction?), Grace Lavery embarks on a myriad of misadventures, including receiving anonymous letters from cultish clowns and starring in a David Lynch remake of Sunset Boulevard.”
—Autostraddle, Winter preview
“Lavery takes a novel approach to the memoir. Melding it with fiction, theory and analysis of popular culture, the result is an untamed beast… weird and wonderful.”—Irish Times
“Rocking a finely-honed, larger-than-life authorial persona…Lavery’s shattered expectations with an inventive and provocative memoir.”
—The Herald (Scotland)
“Imagine a graduate lit theory seminar interrupted every few minutes by a back-row prankster who has a knack for making the whole room blush. Lavery's ideas float high out of reach at times, but if you grab one, it might just rearrange your thinking around sexuality, freedom, and what it takes to mine joy from this broken world.”—The Week
“A surreal speculative memoir… Lavery aims to rub out the dividing line between the intellectual and the bawdy. Recounting how she solved her “penis problem” and began taking synthetic estrogen, Lavery explores transcendental erotic self‑realization, her history of drug and alcohol use, and the paradigmatic concept of the penis through absurdist tall tales.”—Publisher's Weekly