Song of SpiderMan, Glen Berger
Song of SpiderMan, Glen Berger
List: $25.99 | Sale: $18.20
Club: $12.99

Song of Spider-Man
The Inside Story of the Most Controversial Musical in Broadway History

Author: Glen Berger

Narrator: Glen Berger

Unabridged: 10 hr 55 min

Format: Digital Audiobook Download

Published: 05/10/2022


Synopsis

“One of the best literary works of this year” (Miami Herald-Tribune): The true story of a theatrical dream—or nightmare—come true…the making of the Spider-Man musical.

As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can’t begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theater history. Renowned director Julie Taymor picked playwright Glen Berger to cowrite the book for a $25 million Spider-Man musical. Together—along with U2’s Bono and Edge—they would shape a work that was technically daring and emotionally profound, with a story fueled by the hero’s quest for love…and the villains’ quest for revenge. Or at least, that’s what they’d hoped for.

But when charismatic producer Tony Adams died suddenly, the show began to lose its footing. Soon the budget was ballooning, financing was evaporating, and producers were jumping ship or getting demoted. And then came the injuries. And then came word-of-mouth about the show itself. What followed was a pageant of foul-ups, falling-outs, ever-more harrowing mishaps, and a whole lot of malfunctioning spider legs. This “circus-rock-and-roll-drama,” with its $65 million price tag, had become more of a spectacle than its creators ever wished for. During the show’s unprecedented seven months of previews, the company’s struggles to reach opening night inspired breathless tabloid coverage and garnered international notoriety.

Through it all, Berger observed the chaos with his signature mix of big ambition and self-deprecating humor.

About Glen Berger

Glen Berger cut his teeth at Seattle’s Annex Theatre back in the ’90s. His plays since then include Underneath the Lintel, which has been staged more than two hundred times worldwide, been translated into eight languages, and won several Best Play awards; and O Lovely Glowworm, a 2005 Portland Drammy Award Winner for Best Script. He is a New Dramatists alumnus. In television, Glen has won two Emmys (out of twelve nominations), and has written more than 150 episodes for children’s television series including Arthur (PBS), Peep (Discovery/The Learning Channel), Big and Small (BBC), and Fetch (PBS), for which he was the head writer for all five years of its run. Glen spent six years cowriting the script of Spider-Man: Turn Off the Dark.


Reviews

Goodreads review by Leslie ☆︎ on June 13, 2023

I love this book, but it really made me dislike Glen Berger — and he’s the one who wrote it! “Song of Spider-Man” is Berger’s way of course-correcting history by saying, “Um, ACTUALLY, I knew a Spider-Man musical was a bad idea from the beginning, but I was soooo in love with Julie Taymor that I kep......more

Goodreads review by Caleb on November 03, 2018

This book is a tragicomic account of the development and production of Spiderman: Turn Off the Dark. It captures so many fascinating elements of the creative process, from the joys and frustrations of collaboration, to the influence of corporations and the press on the development of art, to the ete......more

Goodreads review by Katy on July 08, 2020

I saw this show in the fall of 2013 with my dad (much to my 16-year-old chagrin), but my dad was quick to remind me that I can see Phantom of the Opera forever, but this would be our one and only chance to see Spider-man: Turn Off the Dark. And boy am I glad we did. Not that it was spectacular or an......more


Quotes

"Berger gives his raw, personal account of his time writing the script with Julie Taymor of the epically troubled musical Spider-Man: Turn Off the Dark. The play, which closed in January 2014, may be Broadway ancient history, but this memoir still cuts to the bone, partly because Berger is so candid about the artistic process behind the runaway-train production. There’s so much insecurity, so much backstabbing, so much back-channeling, I’m almost surprised that Hulu hasn’t adapted it into a docudrama."