Quotes
His writing is vivid, precise and constantly surprising. I was absolutely captivated by it . . . I wish I'd written it Sunday Times
Sparkling and lavishly detailed . . . rich without being cloying; resonant of time and place while remaining fresh and modern . . . he captures brilliantly the downfall and partial redemption of this charming isolate The Times
Full-bodied yet razor-sharp . . . Period detail, which so often reveals only that the writer has commendably and carefully studied a contemporary portrait, in Miller's hands takes us into the heart of 18th-century London so that we can almost smell and touch it . . . its fetid atmosphere almost making the reader itch Spectator
Miller's prose is jewelled . . . What Casanova wrote with a swagger resurfaces here as an elegant, elegiac meditation on the death of purpose Times Literary Supplement
I was thoroughly amused, stimulated, entertained and instructed by the whole book . . . I don't think I've read anything which has brought 18th-century London so powerfully to life . . . brilliantly acute
Exquisite . . . Miller's elegant prose is laced with luxurious imagery and wry humour . . . beautifully and sensitively written Daily Telegraph
Miller is a pellucid, evocative writer: he brings alive the thick fogs over the Thames, the dreary winter countryside, the lamp-lit London streets . . . A beautiful evocation of a few months of this womaniser's life Observer
A perfectly crafted picture of 18-century London and its visiting predator in language as delicate as the tendrils of fog that curl off the Thames, and as forceful as the fetid odours conjured up in the background The Times
Andrew Miller's forte is painting verbal landscapes, laying the words just so. At times it's like a fine miniature, delicate with atmosphere and smoke and gleam Time Out
Miller again shows his mastery of historical fiction in this fine, elegiac book Sunday Telegraph