Veronica, Mary Gaitskill
Veronica, Mary Gaitskill
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Veronica

Author: Mary Gaitskill

Narrator: Kathe Mazur

Unabridged: 8 hr 29 min

Format: Digital Audiobook Download

Published: 07/18/2006


Synopsis

One of the New York Times’s 100 Best Books of the 21st Century

The extraordinary new novel from the acclaimed author of Bad Behavior and Two Girls, Fat and Thin, Veronica is about flesh and spirit, vanity, mortality, and mortal affection. Set mostly in Paris and Manhattan in the desperately glittering 1980s, it has the timeless depth and moral power of a fairy tale.

As a teenager on the streets of San Francisco, Alison is discovered by a photographer and swept into the world of fashion-modeling in Paris and Rome. When her career crashes and a love affair ends disastrously, she moves to New York City to build a new life. There she meets Veronica—an older wisecracking eccentric with her own ideas about style, a proofreader who comes to work with a personal “office kit” and a plaque that reads “Still Anal After All These Years.” Improbably, the two women become friends. Their friendship will survive not only Alison’s reentry into the seductive nocturnal realm of fashion, but also Veronica’s terrible descent into the then-uncharted realm of AIDS. The memory of their friendship will continue to haunt Alison years later, when she, too, is aging and ill and is questioning the meaning of what she experienced and who she became during that time.

Masterfully layering time and space, thought and sensation, Mary Gaitskill dazzles the reader with psychological insight and a mystical sense of the soul’s hurtling passage through the world. A novel unlike any other, Veronica is a tour de force about the fragility and mystery of human relationships, the failure of love, and love’s abiding power. It shines on every page with depth of feeling and formal beauty.

About The Author

Mary Gaitskill is most recently the author of Because They Wanted To, which was nominated for the PEN/Faulkner Award in 1998. Her stories and essays have appeared in The New Yorker, Harper’s Magazine, Esquire, The Best American Short Stories (1993), and The O. Henry Prize Stories (1998). Her story “Secretary” was the basis for the film of the same name. The recipient of a Guggenheim Fellowship, she teaches creative writing at Syracuse University. She lives in New York.


Reviews

AudiobooksNow review by Paula B on 2007-12-29 14:39:17

I thought it was boring and whinny.

AudiobooksNow review by Kristie on 2009-02-12 01:22:52

This was the most boring book. I thought it was ridiculously whiny and you couldn't make heads or tails of where the characters were in the storyline. Also, the sex was way over-the-top...Like the author thought that she could put in enough sex and people would like the book. Please don't write any more books

Goodreads review by Janet on August 16, 2022

I never read a better description about what music meant in a period than Veronica. Found myself writing whole passages in my notebook. Deserved the National book award. >>>>>>>>>>>>>>>>>>>> Second Reading: I often read bits of this book for inspiration in my own writing, and recently I decided I need......more

Goodreads review by Meike on December 22, 2022

Loneliness and sadness pervade the pages of this novel about beauty and cruelty, as exemplified by the friendship between Allison, a model, and Veronica, an older, less attractive women who dies of AIDS at a time when the illness was hardly understood. The story is crafted as a look back by Allison,......more

Goodreads review by Krok Zero on July 13, 2010

I bet I'd be really inspired by this novel if I were a fiction writer. Mary Gaitskill sees the world through no eyes but her own, and she communicates that worldview with an unyielding series of remarkably inventive metaphors and physical descriptions, interspersed with prose-poem reveries in which......more

Goodreads review by Holly on May 29, 2007

In Veronica, Alison, an aging model, whose body is wracked with pain and disease, looks back on her life in snapshots, as if she is flipping through a portfolio of memories. In her prime, Alison was beautiful and flawed. She related to the world with vanity, but also with a vague sadness and misunde......more

Goodreads review by Caitlin on April 25, 2009

As far as the story itself, I thought it was lackluster and a bit pretentious. I appreciated what Gaitskill was trying to do, that she was trying to explore notions of superficiality and depth when it comes to personal interactions. I also liked that she gave her two main characters, these women who......more


Quotes

"Gaitskill writes so radiantly about violent self-loathing that the very incongruousness of her language has shocking power." – Janet Maslin, The New York Times

"Gaitskill deserves some sort of monument [for this] beautiful, devastating new novel...There are paragraphs like poems in Veronica that lure you back, over and over." —Elle

"Sensuous and precise...Veronica captures the nexus between the erotic glamour [of the 1980's] and its epic heartlessness." –Entertainment Weekly

"Gaitskill has written a novel that will leave you shaking and joyful simultaneously, dizzy with the proximity of private terror and bottomless hope." — O Magazine

"Gaitskill writes from the gut . . . [Her] characters bleed, sweat, cry, and they experience sadness, anger and love as much as a physical sensation as an emotion." –San Francisco Chronicle

"Gaitskill's style is gorgeously caustic . . . Her ability to capture abstract feelings and sensations with a prescise and unexpected metaphor is a squirmy delight to encounter in such abundance." -- Heidi Julavits, Pubishers Weekly

"Veronica is a masterly examination of the relationship between surface and self, culture and fashion, time and memory . . . Gaitskill's brand of brainy lyricism, of acid shot through with grace, is unlike anyone else's . . . Her palpable talent puts her among the most eloquent and perceptive contemporary fiction writers." --Meghan O'Rourke, New York Times Book Review

“[Veronica] creates an atmosphere, provokes a response, and suffuses us with an emotion that we can easily, all too easily, summon up. It's art that you can continue to see even with your eyes closed." –Francine Prose, Slate


Awards

  • National Book Awards
  • National Book Critics Circle Awards