Killing Commendatore, Haruki Murakami
Killing Commendatore, Haruki Murakami
8 Rating(s)
List: $30.00
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Killing Commendatore
A novel

Bestseller

Author: Haruki Murakami

Narrator: Kirby Heyborne

Unabridged: 28 hr 27 min

Format: Digital Audiobook Download

Published: 10/09/2018


Synopsis

The epic new novel from the internationally acclaimed and best-selling author of 1Q84

In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home, and an underworld haunted by Double Metaphors. A tour de force of love and loneliness, war and art—as well as a loving homage to The Great Gatsby—Killing Commendatore is a stunning work of imagination from one of our greatest writers.

About Haruki Murakami

Born in Kobe in 1949, Haruki Murakami studied Greek drama before managing a jazz bar in Tokyo from 1974 to 1981. His third novel, A Wild Sheep Chase, earned the Noma Literary Award for New Writers and ended his career at the jazz bar. His next novel, Hard-Boiled Wonderland and the End of the World, won the prestigious Tanizaki Prize. In 1996, Murakami received the Yomiuri Literary Award for Wind-Up Bird Chronicle. In addition to being a prolific writer of novels and short stories, he is also known as a skillful translator of Scott Fitzgerald, Raymond Carver, John Irving, Paul Theroux, and other American contemporary authors. His work has been translated into thirty-eight languages, and he has taught at Princeton and Tufts Universities.


Reviews

Goodreads review by Sean Barrs on October 27, 2020

I am so unbelievably disappointed with this book. What should I talk about first, the bland characters, the flat plot or the convoluted prose? Either way it stank of mediocrity. This doesn’t feel like a Murakami novel. It doesn’t sound like a Murakami novel and it doesn’t act like one. I went back a......more

Goodreads review by s.penkevich on August 17, 2022

I wish I had the level of chill Murakami protagonists have when bizarre things happen. Strange little soldier gnome in the house in the middle of the night? Just crack a small beer and say whats up!......more

Goodreads review by Shirley on October 28, 2018

Thoughts while reading. Your wife she left I did too I came back to finish you Paintings on walls Men two foot high My brains been pulped I give a cry I've not been drinking That wouldn't do But I might before I finish you. Shirley. Review to follow when I finish the story. Update. If I never achieve anything els......more

Goodreads review by Adam on August 09, 2018

More on this when it comes out! I found it to be a return to form, mingling the realism of Norwegian Wood with the surrealistic approach of Wind-Up Bird. Fast read for such a long book, and the writing about painting is fascinating. The biggest flaw is in the depiction of a 13-year-old girl, whose c......more


Quotes

A Washington Post, San Francisco Chronicle, Financial Times, Library Journal, LitHub, and Kirkus Reviews Best Book of the Year

“[Murakami] is as masterful as ever at building an intricate narrative and keeping his audience in suspense. Killing Commendatore is both a testament to the transformational power of art and a cautionary tale on the dangers of exploration.” —Houston Chronicle
 
“A spellbinding parable of art, history, and human loneliness.” —O, The Oprah Magazine
 
“Expansive and intricate . . . touches on many of the themes familiar in Mr. Murakami’s novels: the mystery of romantic love, the weight of history, the transcendence of art, the search for elusive things just outside our grasp.” —The New York Times
 
“Eccentric and intriguing, Killing Commendatore is the product of a singular imagination. . . . Murakami is a wiz at melding the mundane with the surreal. . . . He has a way of imbuing the supernatural with uncommon urgency. His placid narrative voice belies the utter strangeness of his plot. . . . The worldview of Murakami’s novels is consistent, and it’s invigorating. In this book and many that came before it, he urges us to embrace the unusual, accept the unpredictable.” —San Francisco Chronicle
 
“Beguiling. . . . Murakami is brilliant at folding the humdrum alongside the supernatural; finding the magic that’s nested in life’s quotidian details. . . . His prose is warm, conversational and studded with quiet profundities. He’s eminently good company; that most precious of qualities that we look for in an author. We trust him to get us entertainingly lost, just as we trust that he’ll eventually get us home.” —The Guardian
 
“Exhilarating. . . . Only in the calm madness of his magical realism can Murakami truly capture one of his obsessions, the usually ineffable yearning that drives a person to make art.” —The Washington Post
 
“Another intriguing, time-challenging tome you can’t wait to finish . . . while simultaneously wishing you might never reach its conclusion, dreading the end of another indescribable Murakami odyssey.” —The Christian Science Monitor
 
“Some novelists hold a mirror up to the world and some, like Haruki Murakami, use the mirror as a portal to a universe hidden beyond it. . . . What can't be denied is Mr. Murakami's irresistible storytelling ability. He builds his self-contained world deliberately and faithfully, developing intrigue and suspense and even taking care to give each chapter a cliffhanger ending as in an old-fashioned serialized novel.” —The Wall Street Journal
 
“No other author mixes domestic, fantastic and esoteric elements into such weirdly bewitching shades. . . . Just as he straddles barriers dividing high art from mass entertainment, so he suspends borders between east and west.” —Financial Times
 
“Wild, thrilling. . . . Murakami is a master storyteller and he knows how to keep us hooked.” —The Sunday Times (London)

“[Killing Commendatore] marks the return of a master.” —Esquire
 
“More of Murakami’s magical mist, but its size, beauty, and concerns with lust and war bring us back to the vividness and scale of his 1997 epic, The Wind-up Bird Chronicle.’’ —The Boston Globe
 
“No ordinary trip; get ready for a wild ride.” —Entertainment Weekly
 
“A perfect balance of tradition and individual talent. . . . Murakami dancing along ‘the inky blackness of the Path of Metaphor’ is like Fred Astaire dancing across a floor, then up the walls and onto the ceiling.” —The Spectator