Alibi, Joseph Kanon
Alibi, Joseph Kanon
List: $19.99 | Sale: $13.99
Club: $9.99

Alibi
A Novel

Author: Joseph Kanon

Narrator: Holter Graham

Abridged: 6 hr 12 min

Format: Digital Audiobook Download

Published: 05/03/2005


Synopsis

From the bestselling author of Los Alamos and The Good German comes Joseph Kanon's riveting tale of love, revenge and murder set in postwar Venice.

Winner of the Hammett Prize

It is 1946, and Adam Miller has come to Venice to visit his widowed mother and try to forget the horrors he has witnessed as a U.S. Army war crimes investigator in Germany. But when he falls in love with Claudia, a Jewish woman scarred by her devastating experiences during World War II, he is forced to confront another Venice, a city still at war with itself, haunted by atrocities it would rather forget. Everyone, including his mother's suave new Venetian suitor, has been compromised by the occupation, and Adam finds himself at the center of a web of deception, intrigue, and unexpected moral dilemmas.

When is murder acceptable? What are the limits of guilt? How much is someone willing to pay for a perfect alibi?

About Joseph Kanon

JOSEPH KANON is the author of the novels Alibi, The Good German, Los Alamos and The Prodigal Spy. Before becoming a full-time writer, he was a book publishing executive. He lives in New York City.

About Holter Graham

Holter Graham, winner of AudioFile’s 2008 Best Voice in Science Fiction & Fantasy for Sherrilyn Kenyon’s Acheron, is a stage, television, and screen actor. He has recorded numerous audiobooks, including much of Sherrilyn Kenyon’s bestselling Dark-Hunter series. The winner of multiple AudioFile Earphones Awards, he has also read works by Scott Turow, Dean Koontz, C. J. Box, and Stephen Frey.  His film credits include Fly Away Home, Maximum Overdrive, Hairspray, and The Diversion, a short film which he acted in and produced. On television, he has appeared in Army Wives, Damages, As The World Turns, Rescue Me, Law & Order and New York Undercover. He received a B.A. from Skidmore College and an M.F.A. from Vermont College.


Reviews

Goodreads review by Jeanette on July 15, 2012

Anything World War II fascinates me to pieces, and the premise of this novel was no exception. Only problem: the premise was about the only exciting thing about it. At times, I was just forcing myself to get through it. But it wasn't all bad. The use of metaphors (especially with the canals) to repr......more

Goodreads review by Mieczyslaw on September 05, 2017

Even these days, walking round the Cannaregio at night, and especially when the mist lies low off the Lagoon, Venice takes on that strange, dreamlike quality, as if nothing is real... as if you're in a movie. Thus it is with the opening pages of "Alibi". I almost hear the voiceover in "The Third Man......more

Goodreads review by Madonna on February 09, 2014

This is a well written book that took me a bit of time to engage with as the plot moves quite slowly at the start. The action takes place in Venice in 1946 and events are narrated by the main character, Adam Miller, who has come to Venice to visit his widowed mother. He falls under the spell of Clau......more

Goodreads review by Don on February 13, 2024

I really liked the opening sequences, set in Venice right after WWII but I hated the middle chapters, finding them tedious. (A bozo guy commits a murder, and then seeks to help an extremely crafty detective solve it. Actually, he was seeking to "unsolve" the murder, but still?) However, I absolutely......more

Goodreads review by Jennifer on December 28, 2015

After really enjoying Kanon's Leaving Berlin, I was looking forward to reading other books by Kanon. This was my second, and I did not like it nearly as much. I was greatly taken in at the beginning by the setup and the atmosphere: Post WWII Venice and the problem of leaving (or not) the offences of......more


Quotes

“[Kanon] is fast approaching the complexity and relevance not just of le Carré and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women.” —The New York Times Book Review on The Good German