Quotes
“A suspenseful story of buried secrets and the tales that long-dead men can tell, The Night Season comes alive from Christina Delaine's stellar narrative performance. Highly recommended for anyone who enjoys listening to a good, spine-chilling mystery.” —The Midwest Book Review
“…Christine Delaine's inspired interpretation of the ditsy, self-effacing, surprisingly professional reporter and intuitive sleuth. Her sotto voce, monotone Archie, is on the money, too. He sounds as if he's still a long way from recovering from the mental and physical damage caused by Lowell.” —Publishers Weekly
“Christina Delaine's expert portrayal of the lead female character is spot on…Delaine also does a credible job with the lead male character, Archie…He has been badly injured, and Delaine rises to the challenge of giving voice to his damaged throat and developing pneumonia…the overall tension, humor, and pathos remain strong.” —AudioFile Magazine
“Superb…Cain pinned readers to their seats with a unique mix of horror, black humor, and psychological tension. This time she adds another arrow to her narrative quiver: the interplay between landscape and mood…. Terrifying.” —Booklist (starred review)
“Superb… [Cain is] the new queen of serial-killer fiction.” —Kirkus Reviews
“She's the most twisted--and most beautiful--serial killer on the planet, and she's back.… It's not to be missed.” —USA Today on Evil at Heart
“You have to hand it to Cain, who's made the serial-killer genre a thoroughly female-friendly experience.… [She] churns stomachs with a delicate touch.” —The New York Times Book Review on Evil at Heart
“We've been down Hannibal Lecter Avenue many times, and these two books shouldn't work...but they do. Chalk it up to excellent writing and Cain's ferocious sense of humor.” —Stephen King, Entertainment Weekly on Sweetheart
“The forces that conspired to make Cain's Heartsick a bestselling page-turner last year have reunited in its sequel.... With her preternatural grasp of pacing and ability to create vivid characters with astonishing economy, Cain expertly drives her narrative.” —Los Angeles Times on Sweetheart
“Steamy and perverse.” —The New York Times on Heartsick