
The Man of Property
Author: John Galsworthy, Phoenix Recordings
Series: Forsyte Saga #1
Narrator: Frederick Davidson
Unabridged: 12 hr 39 min
Format: Digital Audiobook (DRM Protected)
Publisher: Blackstone Publishing
Published: 01/01/2006

Author: John Galsworthy, Phoenix Recordings
Series: Forsyte Saga #1
Narrator: Frederick Davidson
Unabridged: 12 hr 39 min
Format: Digital Audiobook (DRM Protected)
Publisher: Blackstone Publishing
Published: 01/01/2006
John Galsworthy (1867–1933), English novelist and playwright, went to Oxford to study law but turned to literature after he met Joseph Conrad on a voyage. The Man of Property (1906), the first of the Forsyte Chronicles, established his reputation. He was awarded the Nobel Prize for Literature in 1932.
Frederick Davidson (1932–2005), also known as David Case, was one of the most prolific readers in the audiobook industry, recording more than eight hundred audiobooks in his lifetime, including over two hundred for Blackstone Audio. Born in London, he trained at the Royal Academy of Dramatic Art and performed for many years in radio plays for the British Broadcasting Company before coming to America in 1976. He received AudioFile’s Golden Voice Award and numerous Earphones Awards and was nominated for a Grammy for his readings.
The first couple of chapters overwhelm the humble reader with Too Many Damn Characters, all of whom appear to be 75 years old. To get this pack of Forsytes into your head, then, you may consult the family tree helpfully printed at the front of the book, where you will see that the original Jolyon Fo......more
Although this is typically not referred to as its own book and instead the first in a trilogy all combined to make “The Forsyte Saga”, I still wanted to document my thoughts. Truly astounding. I loved the reading experience of this SO MUCH, every page was a delight. I don’t usually highlight in book......more
“A social satire of epic proportions and one that does not suffer by comparison with Thackeray’s Vanity Fair…the whole comedy of manners, convincing both in its fidelity to life and as a work of art.” New York Times