
The End of Vandalism
Author: Tom Drury, Jesse LaVercombe, Paul Winner
Narrator: Lloyd James
Unabridged: 10 hr 35 min
Format: Digital Audiobook Download
Publisher: Blackstone Publishing
Published: 09/01/2013
Categories: Fiction, Literary Fiction

Author: Tom Drury, Jesse LaVercombe, Paul Winner
Narrator: Lloyd James
Unabridged: 10 hr 35 min
Format: Digital Audiobook Download
Publisher: Blackstone Publishing
Published: 09/01/2013
Categories: Fiction, Literary Fiction
Tom Drury is the author of several novels, including The End of Vandalism, Hunts in Dreams, The Driftless Area, and The Black Brook. His fiction has appeared in the New Yorker, Harper’s, and the Mississippi Review, and he has been named one of Granta’s Best Young American Novelists.
Jesse LaVercombe is a Toronto-based actor and writer originally from Minneapolis, Minnesota. Acting credits include productions at Tarragon Theatre, Marigny Opera House (New Orleans), PuSh, SummerWorks, Caravan Stage Company; TV: American Gods, The Detail, Salvation, Mayday; Feature Films: Flowers in the Field, Mary Goes Round, The Telephone Game, In Clamatore. His first play, Preacher Man, won the United Solo Festival’s “Best Short Solo Award" in NYC, and Love Me Forever Billy H. Tender played in Toronto, Kingston, and NYC, where it received praise from The New York Times, Stage Buddy, NY Theatre Guide, and more. His latest short film has so far played over thirty festivals (including SXSW, Slamdance, and BFI Flare: London) and taken home six awards. He was recently commissioned to write a new musical, and his upcoming adaptation of The Epic of Gilgamesh with Seth Bockley and Ahmed Moneka will be workshopped at The Guthrie and premiere in 2019 at the Pivot Arts Festival in Chicago.
Lloyd James (a.k.a. Sean Pratt) has been a working professional actor in theater, film, television, and voice-overs for more than thirty years. He has narrated over one thousand audiobooks and won numerous Earphones Awards and nominations for the Audie Award and the Voice Arts Award. He holds a BFA degree in acting from Santa Fe University, New Mexico.
This book is a literary highwire act. There's no good reason it should be as wonderful as it is. The plot meanders all over the place. It jumps from character to character with little reason, and it has what would be described as "tone problems" if we were all sitting around workshopping it. Yet it'......more
Altro colpaccio della NN. Se vi è piaciuto Kent Haruf qui non si va troppo lontano. Più personaggi e situazioni ma lo stesso andamento pacato, la stessa lentezza e quei modi semplici da Midwest. Grouse County è la nuova Holt. È quasi un ritorno a casa. Per me molto consigliato. [77/100] Louise si trat......more
I really loved the hilarious simplicity of this. I'm getting so tired of this trend of ridiculous quirkiness in literature and film, where the "interesting" characters wear two different shoes and own gerbil-costume stores and talk in Juno-speak. It always seems like the author is trying too hard. On......more
“Brilliant, wonderfully funny…This is indeed deadpan humor, and Tom Drury is its master.” Annie Dillard, New York Times bestselling author
“Drury’s prose is gorgeously descriptive.” Entertainment Weekly
“Miraculous…reads like life itself.” Men’s Journal
“A screamingly funny book.” Boston Globe
“The End of Vandalism is a remarkably funny book without being in the least frivolous.” Los Angeles Times
“[Drury’s] sense of place and his eye for the particular in the mundane are extraordinary. This is a quiet book that grows in emotional resonance.” Publishers Weekly (starred review)
“Drury strikes gold…This startling, affecting, and funny debut…contributes to the American literary tradition of arch renditions of midwestern rural life.” Booklist (starred review)
“Affectionately chronicles the mundane but elevates it to a richly comic plane.” Library Journal
“A poker-faced look at American folkways in a world that is precarious and perverse…There’s an awful lot to like here: the dialogue, the sly humor, the feather-light touch, the clean drive of the prose.” Kirkus Reviews