Quotes
“This dandy little thriller was first
published in 1960 as The Mercenaries,
and it’s Westlake at his best. Like the majority of his crime dramas, The Cutie takes place in New York City,
a territory Westlake was highly familiar with and used to color his stories
with deft, literary strokes…The plot is straightforward and moves at a good
clip, allowing readers ample opportunity to collect the clues along with Clay
and in the end come to the logical, well set up denouement. Westlake’s
characters all come to life quickly in short, skillful paragraphs, and he
cleverly layers their personalities with every-day moral issues. Clay is not a
mindless thug. He’s an intelligent guy; yet he willfully chose a career of
crime. Was it the right choice? By the last chapter of this book, his
reassessment brings forth some startling revelations that end the book on the
perfect pitch note.” PulpFictionReviews.com
“Narrator Thorne brings a youthful
confidence to the part. But, it’s still strange how Clay is really a cold
blooded and murderous thug – Westlake gives him an excellent backstory…The Cutie is fully utterly engaging…[with]
Westlake’s masterful storytelling. The
Cutie is a gritty, fast paced, and well plotted murder mystery with a
highly unusual criminal/detective lead.” SFFaudio.com
“George ‘Clay’ Clayton is a
self-described ‘nanny’ for a New York City crime syndicate. His duties involve ‘putting
the kiddies in line’ and occasionally arranging an ‘accident.’ And when some
smart aleck commits a murder, bringing the organization too much attention from
the law, it’s Clay’s job to track down that ‘cutie.’ Stephen Thorne delivers
the noir-style dialogue at a gutsy pace, though in his excitement he
occasionally overdoes the tough-guy shtick. Thorne understands the topsy-turvy
nature of the story, with criminals in the roles of detectives, and gets the
listener to sympathize with the plight of the villains. The Cutie is a crafty little crime story, and Thorne ensures that
it’s a suspenseful, speedy listen.” AudioFile
