
Screen
Author: Barry N. Malzberg
Narrator: Stefan Rudnicki
Unabridged: 4 hr 48 min
Format: Digital Audiobook Download
Publisher: Skyboat Media
Published: 02/17/2015

Author: Barry N. Malzberg
Narrator: Stefan Rudnicki
Unabridged: 4 hr 48 min
Format: Digital Audiobook Download
Publisher: Skyboat Media
Published: 02/17/2015
Barry N. Malzberg is a writer and editor of numerous science fiction anthologies and magazines. The author of more than 50 books and more than 250 short stories, he won the first John W. Campbell Memorial Award for the Year’s Best Science Fiction, has won two Locus Awards for essay collections, and has been a finalist for Hugo and Nebula awards.
Stefan Rudnicki is a Grammy-winning audiobook producer and an award-winning narrator who has won several Audie Awards, as well as more than twenty-five Earphones Awards, and been named one of AudioFile’s Golden Voices.
Of course Barry Malzberg wrote a metafiction about his own masturbation habits, and of course it's actually a decent book. This dude is like the most singular writer in American history. haha......more
Barry Malzberg's debut (I think) mainstream novel fits squarely in the tradition of 1960s American artistic fiction critiquing American cultural values. In this case, the value is the American obsession with movies, and especially with sexualized actresses. Malzberg portrays this obsession as self-d......more
Malzberg's "first" novel (he wrote erotica/porn novels under various pseudonyms before publishing this under his own name) reflects its author's previous "literary" concerns: explicit sexual content interspersed with musings on other matters. The sex is tedious, repetitive and annoyingly androcentri......more
Full review: [URL not allowed] "Barry N. Malzberg’s use of the language of erotic literature to craft nihilistic black comedies matured in his later SF works. Screen, written for the controversial publisher of avant-garde literary fiction and erotica Olympia Press (first print......more
“Malzberg’s books, in their tortured self-awareness, are primarily about writing: its technical difficulties and moral pitfalls, its potential to cheapen or calcify, its temptation to fraudulence or ventriloquism, the insisted-on inadequacy of language as an excuse for not being a less recursive or less involuted writer, and so on.” Paris Review, praise for the author