Last Winter, We Parted, Fuminori Nakamura
Last Winter, We Parted, Fuminori Nakamura
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Last Winter, We Parted

Author: Fuminori Nakamura, Allison Markin Powell

Narrator: Feodor Chin, Richard Powers, P. J. Ochlan

Unabridged: 4 hr 51 min

Format: Digital Audiobook Download

Published: 10/21/2014


Synopsis

Instantly reminiscent of the work of Osamu Dazai and Patricia Highsmith, Fuminori Nakamura's latest novel is a dark and twisting house of mirrors that philosophically explores the violence of aesthetics and the horrors of identity.A young writer arrives at a prison to interview a convict. The writer has been commissioned to write a full account of the case, from its bizarre and grisly details to the nature of the man behind the crime. The suspect, a world-renowned photographer named Kiharazaka, has a deeply unsettling portfolio—lurking beneath the surface of each photograph is an acutely obsessive fascination with his subject.He stands accused of murdering two women—both burned alive—and will likely face the death penalty. But something isn't quite right, and as the young writer probes further, his doubts about this man as a killer intensify. He soon discovers the desperate, twisted nature of all who are connected to the case, struggling to maintain his sense of reason and justice. Is Kiharazaka truly guilty, or will he die to protect someone else?Evoking Ry┼½nosuke Akutagawa's Hell Screen and Truman Capote's In Cold Blood, Fuminori Nakamura has crafted a chilling novel that asks a deceptively sinister question: Is it possible to truly capture the essence of another human being?

About Fuminori Nakamura

Fuminori Nakamura has won numerous prizes for his writing, including Japan’s prestigious Ōe Prize; the David L. Goodis Award for Noir Fiction; and the Akutagawa Prize. The Thief, his first novel to be translated into English, was a finalist for the Los Angeles Times Book Prize. His other novels include Cult X, The Gun, The Kingdom, Evil and the Mask, The Boy in the Earth, My Annihilation, and Last Winter, We Parted. He was born in 1977 and graduated from Fukushima University in 2000.

About Allison Markin Powell

Allison Markin Powell has been awarded grants from English PEN and the NEA, and the 2020 PEN America Translation Prize for The Ten Loves of Nishino by Hiromi Kawakami. Her other translations include works by Osamu Dazai, Kanako Nishi, and Fuminori Nakamura. She was the guest editor for the first Japan issue of Words Without Borders, served as cochair of the PEN America Translation Committee, and currently represents the committee on PEN’s Board of Trustees. She maintains the database Japanese Literature in English and lives in New York.

About Feodor Chin

Feodor Chin, an AudioFile Earphones Award–winning narrator, is an actor classically trained at the American Conservatory Theater and UCLA. His acting career includes numerous credits in film, television, theater, and voice-over.

About Richard Powers

Richard Powers has published thirteen novels. He is a MacArthur Fellow and received the National Book Award. He won the Pulitzer Prize for Fiction for The Overstory, and Bewilderment was shortlisted for the Booker Prize.

About P. J. Ochlan

P. J. Ochlan is an Audie Award–winning, multiple Earphones Award–winning, and Voice Arts Award–nominated narrator of hundreds of audiobooks. His acting career spans more than thirty years and has also included Broadway, the New York Shakespeare Festival under Joseph Papp, critically acclaimed feature films, and television series regular roles.


Reviews

Goodreads review by Tim

Well, that was extremely unsettling to say the least. If ever a book deserved some sort of warning before you began, it may be this one. So allow me to just give you a brief heads up: this book contains violence, including description of kidnapping, restraints and being burned to death, the most unc......more

Since I last read a thriller, it's been a while, and I almost forgot how unique and brutal Japanese thrillers can be. This book is a prime illustration. It was masterfully written and executed, leaving little room for the readers to make assumptions about what might have truly transpired. Thankfully......more

Goodreads review by Greg

Here’s a surprise book. I don’t know why I picked this up to read. It was in a pile of books that I’ve gotten free copies of recently and there are a bunch of books in those piles that I’ve been looking forward to reading, but for some reason I’ll just grab something I don’t know much about instead.......more

Goodreads review by Maciek

I admit that I was quite excited at the prospect of reading this book - I first noticed the cover, with the pure image of a powerful ball of fire against a stark, black background; then it's poetic title, and the premise: a young writer put against a murderer convicted of committing a heinous and te......more


Quotes

“Crime fiction that pushes past the bounds of genre, occupying its own nightmare realm…For Nakamura…guilt or innocence is not the issue; we are corrupted, complicit, just by living in society. The ties that bind, in other words, are rules beyond our making, rules that distance us not only from each other but also from ourselves.” Los Angeles Times

“In this creepy if elegantly crafted stand-alone from Nakamura, the narrator, a nameless young writer, gets assigned to pen an In Cold Blood–style exploration of Yudai Kiharazaka, a thirty-five-year-old Tokyo art photographer awaiting execution for burning two models to death…The more he learns, the greater his doubts about the case—and himself. As the shadow of a second writer begins to cloud the picture, and the story accelerates down the slippery slope separating love and obsession, the twisty—and twisted—turns it takes ambush narrator and reader alike.” Publishers Weekly

“In a story as claustrophobic as the prison cell housing its villain, a nameless, naïve writer struggles to maintain boundaries while researching the life of a death row prisoner…While the numerous narrative shifts require a fully engaged reader, the complex—and morally twisted—plot rewards with one unexpected punch after another.” Kirkus Reviews

“Nakamura’s writing is spare, taut, with riveting descriptions.” Cleveland Plain Dealer, praise for the author

“Nakamura’s prose is cut-to-the-bone lean, but it moves across the page with a seductive, even voluptuous agility.” Richmond Times-Dispatch, praise for the author


Awards

  • Amazon Best Book of the Month