Winner of the Pulitzer Prize for his acclaimed novel about North Korea, The Orphan Master’s Son, Adam Johnson is one of America’s most provocative and powerful authors. Critics have compared him to Kurt Vonnegut, David Mitchell, and George Saunders, but Johnson’s new book will only further his reputation as one of our most original writers. Subtly surreal, darkly comic, both hilarious and heartbreaking, Fortune Smiles is a major collection of stories that gives voice to the perspectives we don’t often hear, while offering something rare in fiction: a new way of looking at the world.
In six masterly stories, Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal. “Nirvana,” which won the prestigious Sunday Times short story prize, portrays a programmer whose wife has a rare disease finding solace in a digital simulacrum of the president of the United States. In “Hurricanes Anonymous”—first included in the Best American Short Stories anthology—a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. “George Orwell Was a Friend of Mine” follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door. And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind.
Unnerving, riveting, and written with a timeless quality, these stories confirm Johnson as one of America’s greatest writers and an indispensable guide to our new century.
“Nirvana” read by Johnathan McClain
“Hurricanes Anonymous” read by Dominic Hoffman
“Interesting Facts” read by Cassandra Campbell
“George Orwell Was a Friend of Mine” read by W. Morgan Sheppard
“Dark Meadow” read by Will Damron
“Fortune Smiles” read by Greg Chun
Advance praise for Fortune Smiles
“How do you follow a Pulitzer Prize–winning novel? For Johnson, the answer is a story collection, and the tales are hefty and memorable. . . . In the title story, two North Korean criminals adjust to post-defection life in South Korea. . . . Often funny, even when they’re wrenchingly sad, the stories provide one of the truest satisfactions of reading: the opportunity to sink into worlds we otherwise would know little or nothing about.”—Publishers Weekly (starred review)
“A half-dozen sometimes Carver-esque yarns that find more-or-less ordinary people facing extraordinary challenges and somehow holding up. Tragedy is always close to the surface in Johnson’s work—with tragicomic layerings. . . . Bittersweet, elegant, full of hard-won wisdom: this is no ordinary book, either.”—Kirkus Reviews (starred review)
Praise for Adam Johnson’s Pulitzer Prize–winning novel, The Orphan Master’s Son
“Harrowing and deeply affecting . . . a daring and remarkable novel, a novel that not only opens a frightening window on the mysterious kingdom of North Korea, but one that also excavates the very meaning of love and sacrifice.”—Michiko Kakutani, The New York Times
“Remarkable . . . the single best work of fiction published [this year].”—The Wall Street Journal
“A great novel can take implausible fact and turn it into entirely believable fiction. That’s the genius of The Orphan Master’s Son.”—The Washington Post
“An epic feat of storytelling.”—Zadie Smith
“A triumph of imagination . . . [Grade:] A.”—Entertainment Weekly