Centenarian, Calvin Tomkins
Centenarian, Calvin Tomkins
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Centenarian
A Diary

Author: Calvin Tomkins, David Remnick

Narrator: Christopher Buckley

Unabridged: TBD

Format: Digital Audiobook Download

Published: 02/23/2027


Synopsis

A moving (and wickedly funny) diary of the legendary New Yorker staff writer Calvin Tomkins’s one hundredth year.

Calvin Tomkins and The New Yorker—two of the most storied names in American writing—were both born in the same year, 1925. As the magazine toasted its centenary, Tomkins began keeping a diary of his one hundredth year of life and sixty-fifth year as a staff writer, one whose nearly four hundred pieces amount to one of the fullest accounts of postwar art ever published. The result is Centenarian, a moving, probing, and wickedly entertaining series of reflections on daily life after nearly ten decades on earth. As Tomkins writes, “The first hundred years are the hardest.”

Tomkins confronts with candor the indignities of old age—macular degeneration and short-term memory loss. But he continues to find humor in everyday absurdities, like assistive devices that come with fine-print instructions. He also looks back on his relationships with some of the twentieth century’s greatest artists—from watching Georgia O’Keeffe’s oven explode while she roasted a chicken to surreptitiously slipping a coin into a Robert Rauschenberg collage, inserting a piece of himself into the art whose rise he would chronicle in real time.

As Tomkins observes, “I sometimes think my main complaint about old age is the way it interferes with looking at art and listening to music.” This ever-inquisitive sensibility infuses the pages of Centenarian, offering a singular model for living well and embracing all the world has to offer in one’s hundredth year and beyond. Above all, Centenarian is a love story—a tribute to Tomkins’s wife of nearly forty years, Dodie Kazanjian, who helped him complete his diary as his eyesight began to fail.

About Calvin Tomkins

Calvin Tomkins (1925–2026) was a staff writer at The New Yorker for more six decades, contributing nearly four hundred pieces to the magazine. One of the foremost chroniclers of the twentieth- and twenty-first-century art world, he profiled artists ranging from Georgia O'Keeffe to Robert Rauschenberg to Cindy Sherman. He was the author of more than a dozen books, including Living Well Is the Best Revenge and Duchamp: A Biography.

About David Remnick

David Remnick, the editor of The New Yorker since 1998, began his career at the Washington Post, in 1982. He is the author of several books, including The Bridge, King of the World, Resurrection, and Lenin’s Tomb, for which he received both the Pulitzer Prize for nonfiction and a George Polk Award for excellence in journalism. He became a staff writer at The New Yorker in 1992 and has since written more than two hundred pieces for the magazine. In 2015, he debuted as the host of the national radio program and podcast, “The New Yorker Radio Hour,” which airs weekly. Under Remnick’s leadership, The New Yorker has become the country’s most honored magazine, with a hundred and ninety-two National Magazine Award nominations and fifty-three wins. In 2016, it became the first magazine to receive a Pulitzer Prize for its writing, and now has won six, including the gold medal for public service.


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Quotes

"[Tompkins lived] a rich life until the very end . . . A bracing but charming glimpse of what it’s like to be very old." —Kirkus Reviews (starred review)