Anita Brookner, Hermione Lee
Anita Brookner, Hermione Lee
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Anita Brookner
Art and Life

Author: Hermione Lee

Narrator: Catherine Bailey

Unabridged: 17 hr 46 min

Format: Digital Audiobook Download

Published: 11/17/2026


Synopsis

One of our most brilliant biographers illuminates the life and work of an incomparable, extraordinary and fascinating novelist.

“Hermione Lee is a literary life-writer par excellence.” —The Atlantic

Anita Brookner is famous for her quiet, incisive studies of solitary and emotionally restrained characters—often middle-class women—navigating loneliness, disappointment, and small eruptions of desire beneath a façade of reserve. She is so closely associated with these protagonists, in fact, that many people imagine the author herself as a woman in a long gray cardigan, gazing out the window of a bleak London flat or onto the misty waters of a Swiss lake, yearning for an absent or unreliable lover. Yet as Hermione Lee demonstrates in her captivating and absorbing biography, Brookner the writer was the inventor of those lonely women, not their alter ego.

Brookner herself was formidable, witty, elegant, precise, and controlled. Her life was full of contradictions. She was for many years a much-admired art historian and teacher. She was the first woman to hold the Slade Professorship of Fine Art at Cambridge. Her first novel, ironically entitled A Start in Life, was published at the age of fifty-three. A Booker Prize followed soon after for her fourth novel, Hotel du Lac, and then her reputation as one of Britain’s leading novelists was established. At her death in 2016, she left behind twenty-five novels, several volumes of art history, and a wealth of criticism. But very few personal papers survived. She was a private person who wanted to keep herself hidden and to remain enigmatic. Now, in Hermione Lee’s book, Brookner’s character is revealed to us. This luminous portrait seamlessly weaves life and work into a vivid, insightful, and riveting narrative that sheds a penetrating light on a writer—and woman—like no other.

About The Author

Dame HERMIONE LEE, biographer, critic, and teacher, was president of Wolfson College (2008–2017) and is emeritus professor of English literature at Oxford University. Her work includes biographies of Virginia Woolf, Edith Wharton, Tom Stoppard, and Penelope Fitzgerald (winner of the James Tait Black Memorial Prize and one of the New York Times’s 10 Best Books of 2014). She has also written books on Elizabeth Bowen, Philip Roth, and Willa Cather. Lee was awarded the Biographers’ Club Prize for Exceptional Contribution to Biography in 2018. She is a fellow of the British Academy and the Royal Society of Literature and a foreign honorary member of the American Academy of Arts and Sciences.


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Quotes

“Majestic. . . . [Dives] into Brookner’s life and times, her prolific critical writings and fiction, with energy and insight. . . . A deeply researched, empathetic portrayal.”
—Kirkus Reviews [starred review]

“Masterful. . . . Lee delivers a captivating reevaluation of a singular and enigmatic novelist.”
—Publishers Weekly [starred review]

“A rich and fascinating book, beautifully written, which grasps the contradictions of Brookner’s character and work.”
—Tessa Hadley, author of The Past

“[An] ardently thorough and thoroughly enjoyable portrait. . . . Lee’s landmark biography reassesses a writer of remarkable refinement and subtle yet lacerating resonance.”
—Booklist (starred review)

“Sensitive and scrupulous. . . . Lee is the biographer Brookner deserves. She has the discernment to ask the right questions and the moral tact not to engage in speculation where answers aren’t forthcoming. . . . Lee’s achievement is to show the coherence and seriousness of Brookner’s preoccupations. . . . Her larger achievement is to reconstruct, without pretending to solve, a life whose subject has deliberately withheld so much of the evidence from which literary lives are usually made.”
—Times Literary Supplement

“[Brookner] is the ultimate biographical test. But Hermione Lee, one of our best literary biographers, has risen commendably to the challenge. The result is a biography that proves this most recalcitrant of subjects—tenaciously inscrutable, pathologically private and maddeningly obstructive—is also deeply fascinating.”
—Financial Times

“Magisterial. . . . Exhaustively researched, psychologically penetrating, and deeply empathetic, this, the first biography of Brookner, brings us to fully understand the brilliant, complex and fascinating person that she was. And the result is magnificent.”
—The Telegraph

“Lee offers genuinely transporting literary criticism , unearthing the elegance and complexity of the work. . . . This astute and tireless biography succeeds, against the odds, in unearthing the author.”
—The Guardian

“The great engine of Lee's empathetic power as a biographer is that she can make you see, from one end of her subject's life to the other, the absolute value of that romantic impulse. In Brookner she finds, as much as she found in Virginia Woolf or Edith Wharton, a font of ‘desire and longing, ideal standards and painful disappointment', such as can make a lifelong narrative.”
—Andrew O’Hagan, London Review of Books

“Tremendous.”
—The Observer

“Ultimately, one emerges from Lee’s biography deeply moved, as much by her heroic scholarly endeavour as by the formidable woman she seeks to uncover. It’s not hard to see why Brookner is finding a new audience among a generation of women choosing—or perhaps, resigning themselves to—a solitary life. In an age when we are encouraged to share all, I found myself rather admiring her self-erected barriers, although, as Lee proves, a life cannot be so easily erased.”
—The Sunday Times

“It is anyone’s guess whether this superb biography will drive new readers to attend to Brookner's work—though Lee makes an excellent case for exactly that.”
—The Independent

“‘How she [Brookner] would have hated having a biography!’ Lee writes. But if she must have one, it's hard to imagine one more loving, careful or worthwhile than this.”
—The Irish Times

“Thoroughly absorbing and beguiling.”
—The Spectator

“Flawless. . . . A meeting of minds.”
—Literary Review