Quotes
Nominated for the Edgar Allan Poe Award for Best Novel
Winner of Baltimore Magazine's 2019 Best Book of Baltimore
A HelloGiggles Best Book of June 2019
A Refinery29 Best Book of June 2019
A Cosmopolitan June 2019 Must-Have
A Fortune Summer 2019 Travel Pick
A Publishers Weekly Best Book of Summer 2019
A CrimeReads Best Crime Books of the Year (So Far)
A Toronto Star Hot Summer Thriller Pick
A Bookish Best Cover of 2019
"Bourland expertly shines a light on the nature of female ambition and desire and the often dark heart of inspiration. Readers fascinated with the blood, sweat, and tears of creating art will be especially rewarded."—Publishers Weekly, (Starred Review)
"Menacing, swirling, hypnotic ... A haunting, dizzying meditation on identity and the blurred lines between life and art."—Kirkus, (Starred Review)
"Bourland has an uncanny knack for spatial description and relates artwork and every last thing in Pine City--"half Dirty Dancing, half Twin Peaks"--with pristinely observed color and feeling. She also nails the creep factor, and her narrator's high tolerance for it, with foreboding signs that the no-name painter isn't totally welcome there, and that there's more to Carey's story. The deck stacked against her, the narrator tells the glitteringly compelling tale of her fevered summer and wisely reveals meaningful intersections of class, gender, and making art."—Booklist, (Starred Review)
"The creative process confronts reality in this compelling literary thriller centering on art, identity, and deception, as told in Bourland's (I'll Eat When I'm Dead) sharp prose. A must for those with an artistic bent, a sheer reading pleasure for all."—Library Journal (Starred Review)
"Fake Like Me is an impressively intelligent thriller set in the art world...Expect insightful paragraphs about the creative process sprinkled among the propulsive mystery."—Refinery29
"[A] page-turning story about art imitating life."—The Palm Beach Post
"The process creators go through for the sake of their art ranges from obsessive to self-destructive, and that ideology is escalated with Bourland's cutthroat prose... The unrelenting threat hovers through the plot and rigidly keeps the reader's head just above water until the end approaches."—Fangoria Magazine
"Bourland has an astonishing ability to write viscerally about art, culture, class, and landscape, for a work that's bound to be one of the summer's biggest crime/literary crossovers."—Literary Hub
"Bourland's terrific new novel engages with the quandary of what makes a work of art authentic."—Crime Reads