Murder by the Book, Claire Harman
Murder by the Book, Claire Harman
List: $17.50 | Sale: $12.25
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Murder by the Book
The Crime That Shocked Dickens's London

Author: Claire Harman

Narrator: Andy Secombe

Unabridged: 7 hr 44 min

Format: Digital Audiobook Download

Published: 03/26/2019


Synopsis

"Enthralling . . . A page-turner that can hold its own with any one of the many murder-minded podcasts out there."
—Jezebel

From the acclaimed biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: Can a novel kill?

In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. The missing clue, it turned out, lay in the unlikeliest place: what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Lord William's murderer finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines this thrilling true-crime story with an illuminating account of the rise of the novel form and the battle for its early soul among the most famous writers of the time. It is superbly researched, vividly written, and captivating from first to last.

About Claire Harman

Claire Harman is the author of Sylvia Townsend Warner, which won the John Llewellyn Rhys Prize; Fanny Burney, which was short-listed for the Whitbread Prize; and the critically acclaimed Robert Louis Stevenson. Elected a fellow of the Royal Society of Literature in 2006, Claire teaches at the Universities of Manchester and Oxford in England and Columbia University in New York City.


Reviews

Goodreads review by Valerity (Val) on February 09, 2019

Murder by the Book: The Crime That Shocked Dickens’s London This book is set in 1840’s London and starts out discussing the murder of Lord William Russell in his Norfolk Street home after he retires to bed for the night to do some reading. He is found the next morning by his servant with his head gap......more

Goodreads review by Dannii on December 31, 2018

It is early in the morning on May 6th, 1840. London has yet to properly shake off the shackles of the night but already the servants are awake and attending to their duties. Lord Russell's house is no different, only he will not be rising from his slumber to witness them. He will momentarily be foun......more

Goodreads review by Kirsty ❤️ on December 21, 2018

This is a true crime novel focusing on the death of Lord William Russell. There's an interesting thread about whether media can lead to real life crime, something still in discussion today with violence and computer games.  It's a short book so I think there is scope to really dig deeper into this el......more

Goodreads review by Daisy on March 09, 2023

Like The Maul and the Pear Tree this is the true story of a murder nearing 200 years ago and with both there is scant evidence remaining and so both look to fill the pages with a tangential study of the society these crimes occurred in. The crime here in this case is the brutal murder of a wealthy,......more


Quotes

“This beautifully produced and impressively researched historical account of a celebrated Victorian murder with a literary twist reads like a thriller. I devoured it in one sitting, and was at once enthralled and chilled. Highly recommended!”
—Alison Weir

“Its opening scene is the stuff that classic murder mysteries are made of . . . Ms. Harman is a tireless researcher and a droll stylist.”
—Maureen Corrigan, The Wall Street Journal
 
“Harman demonstrates a flair for distilling reams of research into a succinct, lively narrative. The book is an exemplar of how to write taut, issue-driven historical nonfiction. With an appreciation for pithy quotations, telling details and amusing gossip, she’s quick to spot a fascinating aside . . . As riveting as this true-crime story is, what elevates Murder by the Book above sensationalism is its focus on how this case heightened concern over the malevolent influence of violent entertainment.”
—Heller McAlpin, The Washington Post

“An assiduously researched and superbly written book that ends with Harman examining unanswered questions, and reminding us that truth can be stranger than fiction."
—Malcolm Forbes, The Minneapolis Star Tribune

“Compact and engrossing . . . [Harman] leaves readers to draw their own conclusions, and her compelling book is all the better for her tact."
The Economist

“A fascinating, exhaustively researched exploration into how art can influence society and vice versa, Murder by the Book turns an unflinching eye to the ways in which biases born of economic inequality affect the way crimes are investigated and prosecuted. It’s a true crime devotee’s delight.”
BookPage
 
“Harman effectively uses a novelist’s approach to recreate a now obscure 1840 English murder case that was a sensation at the time . . . By exploring concerns about the glorification of criminals in the fiction of the day and addressing some lingering mysteries, such as whether Courvoisier had an accomplice, Harman adds depth to a fascinating true crime narrative.”
Publishers Weekly, starred review
 
“An endlessly fascinating, bookish tale of true crime in Victorian England . . . Lovers of Drood, Sherlock, Jack the Ripper, and their kin real and fictional will relish the gruesome details of this entertaining book.”
Kirkus Reviews, starred review

“A remarkable story which Harman draws so skillfully . . . A brilliant piece of literary detective work. And though Harman is never so crass as to draw comparisons with today’s concerns over the effects of drill music or chic TV assassins (Killing Eve’s Villanelle?), the resonances ping from every page.”
—Marcus Field, London Evening Standard