Quotes
"In the imaginative, unsettling "Irène", readers will discover that French author Pierre Lemaitre has constructed a fine (if sometimes obscenely grisly) example of that genre--and then, in its last forty pages, they will begin to realize that they have followed the author deep down a disorienting rabbit hole . . . Lemaitre toys with the genre's tropes--the disparate police team, the suspicious-seeming civilian experts, the red herring as huge as Moby Dick--to his own unpredictable purposes. He succeeds in having his conceptual gateau and eating it, too. The bibliophilic villain doesn't hesitate to call his book--this book--"a triumph . . . a harrowing, true-to-life tale, a metafiction that recounts the murderous machinations of its own creation." But let the reader beware: Irène, with its dizzying final twist, may give you vertigo."—Tom Nolan, The Wall Street Journal
"Irène gets off to a fast start and races pell-mell to a jaw-dropping conclusion . . . Mr. Lemaitre fires away in a prose style that's like a flurry of short jabs to the solar plexus. His translator, Frank Wynne, skillfully renders the tough-guy slang, the police jargon, and the irrepressible zip of a narrative that unfolds, despite the copious gore, precisely and methodically. It's a metronome set at allegro furioso . . . Lemaitre pulls some unexpected strings, upending expectations with a flourish that readers will find either pure genius or too clever by half--or one and a half. Either way, by novel's end, Verhoeven needs a new title: meta-meta detective."—William Grimes, The New York Times
"Irène is superior crime fiction, worthy of the international attention it has received . . . Once I accepted the novel's portrayals of violence, I found little to fault in Irène . . . The novel's closing chapters are as suspenseful and ultimately as shocking as the climax of any thriller I can recall; the final pages will leave readers numb. In Irène, violence ups the ante, and tough-minded writing carries the day."—Patrick Anderson, The Washington Post
"French literary sensation Lemaitre earned comparisons to Stieg Larsson (and a 2013 CWA International Dagger Award) with Alex, a gruesome and twisty mashup of police procedural, thriller, and psychological horror. Its newly translated predecessor might be even better . . . [Irene is] hardly predictable, as [Lemaitre] pushes the pulse-quickening plot toward an ingenious-and shocking-finale."—Library Journal
"Lemaitre's measured, intelligent approach to a police investigation rings of authenticity . . . But the real genius of this novel are the twists Lemaitre incorporates into the storyline, lifting it above the genre and into a different category entirely. A book that no matter how fast the reader connects the dots still produces a bombshell that's both brilliant and diabolical."—Booklist (Starred Review)
"Irène is compulsive reading . . . The narrative is fast-paced and the suspense unbearably taut."—Thuy On, The Sydney Morning Herald
"Pierre Lemaitre's Alex earned rave reviews last year, not least for the way Lemaitre reworked the tropes of the conventional serial-killer novel to create a clever police procedural that worked as a superb thriller even as it confounded readers' expectations of the genre. The follow-up, Irène, is equally clever, as the diminutive Parisian detective Camille Verhoeven is initially confronted with a murder scene so horrific that it puts him in mind of Goya's Saturn Devouring his Son."—Irish Times
"Last year I raved about Lemaitre's first published crime novel, Alex, but this second--which was, in fact, the first he wrote, as it introduces his detective, Commandant Verhoeven--is even better. Quirky, brutal, and not for the faint-hearted, it is crime fiction of the highest class . . . Superbly constructed and executed, it puts Lemaitre very close to Ellroy's class. If you pick it up, you won't be able to put it down."—Geoffery Wansell, Daily Mail
"Verhoeven is a one-of-a-kind detective . . . Not for the faint of heart, this gritty thriller will appeal to fans of Chelsea Cain, for the grisly details, and Fred Vargas, for the French setting and iconoclastic sleuth."—Kirkus Reviews
"Gripping."—Bookish
